{"id":821,"date":"2018-11-04T12:04:06","date_gmt":"2018-11-04T12:04:06","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?page_id=821"},"modified":"2026-03-14T08:38:52","modified_gmt":"2026-03-14T08:38:52","slug":"423-musica","status":"publish","type":"page","link":"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/","title":{"rendered":"423 M\u00fasica"},"content":{"rendered":"<p><a href=\"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/423h-historia-de-la-musica\/\">423h Hist\u00f2ria<\/a> | <a href=\"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/423o-musica-obres\/\">423o bres<\/a> | <a href=\"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/423m-musics\/\">Compositors i int\u00e8rprets <\/a> | Experi\u00e8ncies musicals [hist\u00f2ria societats]<\/p>\n<p><a href=\"http:\/\/meumon.synology.me\/museu\/el-cami-del-saber-la-musica\/\">El cam\u00ed del saber<\/a>, des de la m\u00fasica que tenim al voltants fins a reconstruir el proc\u00e9s<\/p>\n<hr \/>\n<p>| <a href=\"http:\/\/meumon.synology.me\/museu\/les-meves-experiencies-musicals\/\">Les meves experi\u00e8ncies<\/a> | <a href=\"http:\/\/meumon.synology.me\/museu\/3mm-el-meu-mon\/3mm-3m-musica\/\">la meva col\u00b7lecci\u00f3<\/a><\/p>\n<hr \/>\n<p>(1) l&#8217;evoluci\u00f3 de les obres, <a href=\"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/423-formes-musicals\/\">formes musicals<\/a>, <a href=\"http:\/\/meumon.synology.me\/museu\/tonalitats\/\">Tonalitats<\/a> <a href=\"http:\/\/meumon.synology.me\/museu\/serialisme\/\">Serialisme<\/a><\/p>\n<p><a href=\"http:\/\/meumon.synology.me\/museu\/el-mercat-de-la-musica\/\">el mercat<\/a><\/p>\n<p>&gt;&gt; fer el amrcat de la m\u00fasica com el d el&#8217;art: qui encarregava, kapellmeister, ingressos per concerts, ingressos per publiacions principals editorials, la r\u00e0dio i els discos,&#8230; fins a spotify<\/p>\n<p>[FET &gt; hist\u00f2ria cultura &gt; tag m\u00fasica], cat m\u00fasica, tag formes musicals<br \/>\nSuite danses, forma sonata, <a href=\"http:\/\/meumon.synology.me\/museu\/blues\/\">blues<\/a><\/p>\n<p>baix alberti https:\/\/ca.wikipedia.org\/wiki\/Baix_d%27Alberti<\/p>\n<ul>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/la-musica-a-lantiguetat\/\">m\u00fasica a l&#8217;antiguitat<\/a>, modes grecs i gregori\u00e0<\/li>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/maqam-el-sistema-musical-arab\/\">maqam<\/a>, sistema musical \u00e0rab.<\/li>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/raga-musica-india\/\">raga<\/a>, m\u00fasica \u00cdndia<\/li>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/musica-xinesa\/\">m\u00fasica xinesa<\/a><\/li>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/hip-hop\/\">Hip-Hop<\/a><\/li>\n<\/ul>\n<p>teoria: afinaci\u00f3 pitag\u00f2rica, el clave ben temperat, cercle de quintes, newton associa C amb blau, G amb groc, [buscar imatge, <a href=\"https:\/\/en.wikipedia.org\/wiki\/Clavier_%C3%A0_lumi%C3%A8res\">Scriabin<\/a> va associar els colors amb el cercle de les quintes]<\/p>\n<p>(2) les experi\u00e8ncies de les societats, cerim\u00f2nies civils i relligioses, danses, rituals, concerts, <a href=\"http:\/\/meumon.synology.me\/museu\/la-manera-de-fer-musica\/\">la manera de fer i consumir m\u00fasica<\/a><\/p>\n<hr \/>\n<blockquote><p>universos sonors per cultura raga, punta de partida maqams<\/p><\/blockquote>\n<p>quins universos sonors tenim? primer les grans cultures, occident+ am\u00e8rica nord i jaz, \u00e0rab, xina, \u00edndia, \u00e0frica, llatinoam\u00e8rica,<\/p>\n<p>despr\u00e9s en detall, potser es correspon amb les meves classificacions i llistes a musicbee: antiga de viola de gamba i cornetto, els concerts barrocs i les cantates, el piano \u00edntim, el sal\u00f3 amb els lieder, el ball d&#8217;envelat.<\/p>\n<p>&nbsp;<\/p>\n<p>imaginar que rebo invitacions per a recitals, cantates de Bach a st.Thomas, la flauta m\u00e0gica a l&#8217;\u00f2pera d eViena, concerts de piano a un sal\u00f3<\/p>\n<p>rec\u00f3rrer els llocs de les mevbes experi\u00e8ncie smusicals,. el palau de la m\u00fasica als 15 anys, l&#8217;habitaci\u00f3 a l&#8217;adolesc\u00e8ncia, el sof\u00e0 a castellar, ballant al garatge, Scarlatti en bicicleta,<\/p>\n<p>&nbsp;<\/p>\n<p>univers sonor: <a href=\"http:\/\/meumon.synology.me\/museu\/cant-religios-i-profa-gospel-soul-adhanm-arabesk\/\">Cant religi\u00f3s i prof\u00e0, gospel, soul, adh\u0101nm arabesk<\/a><\/p>\n<hr \/>\n<p>(3)\u00a0 NOTES<br \/>\nl&#8217;experi\u00e8ncia de la m\u00fasica en la vida i les emocions.\u00a0 [veure notes oliver sacks la profunda estructura neuronal de l&#8217;experi\u00e8ncia musical<\/p>\n<p><a href=\"http:\/\/meumon.synology.me\/museu\/emocions-a-la-musica-i-la-dansa\/\">emocions en la m\u00fasica i la dansa<\/a><\/p>\n<p>|\u00a0\u00a0\u00a0 <a href=\"http:\/\/meumon.synology.me\/museu\/radio\/\">Radio<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>DIVERSOS:\u00a0<a href=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/illustracions\/genealogy-of-pop-and-rock-music.png\">esquema musica pop<\/a>, <a href=\"https:\/\/www.atlasobscura.com\/articles\/where-indian-villagers-have-musical-names\">el poble indi on nomenen els nens amb una can\u00e7\u00f3<\/a><\/p>\n<hr \/>\n<p>OBRES<\/p>\n<p>vocal | cambra: Quartets de corda | teclat | orquestra<\/p>\n<ul>\n<li>Antiga<\/li>\n<li>Barroca<\/li>\n<li>Cl\u00e0ssica<\/li>\n<li>Rom\u00e0ntica<\/li>\n<li>Contempor\u00e0nia<\/li>\n<li>\u00c8tnica<\/li>\n<li>New Age<\/li>\n<li>Jazz<\/li>\n<li>Soul RnB Funky<\/li>\n<li>Rock Pop<\/li>\n<li><a href=\"http:\/\/meumon.synology.me\/museu\/hip-hop\/\">hip-hop<\/a><\/li>\n<\/ul>\n<p>[categoria Obres&gt; m\u00fasica, poden ser posts sobre una obra, un conjunt d&#8217;obres d&#8217;un autor, o un estil que resumeixi una \u00e8poca] [puc agrupar posts de le sobres d&#8217;un autor per tag]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Us comparteixo una taula rodona de 1964 entre m\u00fasics i cr\u00edtics de jazz a iniciativa de la revista Playboy (curiosa barreja de cultura + pit i cuixa!). Hi participen Cannonball Adderley, Dizzy Gillespie, Dave Brucbeck, Ralph Gleason, Charles Mingus i altres. Segurament no \u00e9s d&#8217;inter\u00e8s per l&#8217;audi\u00e8ncia de balladors de swing per\u00f2 pels amants del jazz \u00e9s un regal. Entre altres coses es discuteix cap on va el jazz, si cada cop m\u00e9s es far\u00e0 a sales de concerts on s&#8217;escoltar\u00e0 amb rever\u00e8ncia com la m\u00fasica cl\u00e0ssica, o en clubs (ja no diguem sales de ball), si l&#8217;avantguarda busca destacar per l&#8217;imprevist i el complicat m\u00e9s que no pas per l&#8217;expressi\u00f3 musical, o el tema de fins a quin punt el jazz \u00e9s un afer de negres i si altres cultures hi poden aportar alguna cosa.<br \/>\nhttps:\/\/cannonball-adderley.com\/article\/playboy2.htm<\/p>\n<hr \/>\n<p>COMPOSITORS INT\u00c8RPRETS [categoria FET Hist\u00f2ria, tags: musica, biografia, nom]<\/p>\n<p>Haydn<\/p>\n<p>Vivaldi<\/p>\n<hr \/>\n<p>L&#8217;EXPERI\u00c8NCIA MUSICAL EN LES CIVILITZACIONS<\/p>\n<p>Dansa<\/p>\n<p>\u00d2pera barroca<\/p>\n<p>Concert privat<\/p>\n<p>misses<\/p>\n<p>Club de jazz<\/p>\n<p>Gravacions d&#8217;estudi<\/p>\n<p>r\u00e0dio, gramola, tocadiscos vinils, walkman, discman, CD, mp3, spotify i itunes \/ tiktok \/ pelis o s\u00e8ries de TV [ l&#8217;\u00f2pera moderna] \/ v\u00eddeo jocs sintonies de 8 bits dels tel\u00e8fons video nokia \/ <a href=\"https:\/\/www.bbc.com\/culture\/article\/20220608-the-music-most-embedded-in-our-psyches\">v\u00eddeo jocs moderns<\/a><\/p>\n<p>[creaci\u00f3 de m\u00fasica avui: bases r\u00edtmiques, hooks, djs, m\u00fasica per pelis feta com ind\u00fastria v nota 2022]<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/meumon.synology.me\/museu\/la-manera-de-fer-musica\/\">manera de fer i consumir m\u00fasica<\/a><\/p>\n<p>[Com ha de ser un museu de la m\u00fasica? exemple de bach a Eisenach i Leipzig. Reprodueixen una interpretaci\u00f3 d&#8217;orgue en una esgl\u00e9sia, el quadre de FGriedrich der Grosse tocant la flauta, Leipzig construir una frase musical movent el baix i canviant les paraules.<\/p>\n<hr \/>\n<p>En qu\u00e8 consisteix la m\u00fasica? Qu\u00e8 \u00e9s soroll i qu\u00e8 \u00e9s m\u00fasica? quan tenim significat?<\/p>\n<p>David Sulzer, neurocient\u00edfic que investiga amb animals,<br \/>\nhttps:\/\/www.newyorker.com\/magazine\/2023\/04\/03\/david-sulzer-profile-neuroscience-music<\/p>\n<p>El ritme [patr\u00f3 en el temps, el cor, passes, articular sons, respiraci\u00f3]<br \/>\nhttps:\/\/www.bbc.com\/future\/article\/20230526-how-rhythm-shapes-our-lives, experiments que mostren com ens sincronitzem.<\/p>\n<p>&nbsp;<\/p>\n<p>soroll &#8211; m\u00fasica: https:\/\/www.newyorker.com\/magazine\/2024\/04\/22\/what-is-noise\u00a0 \u00a0`[descarregat]\u00a0 https:\/\/franciscolopez.bandcamp.com\/album\/virtuaural-electro-mechanics<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>STAX memphis<\/p>\n<p>&nbsp;<\/p>\n<p>Creedence<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cRamble Tamble,\u201d the greatest of all Creedence songs, is a seven-minute doom-choogle that builds from pastoral bliss to apocalyptic rage, but I\u2019ve never heard it on the radio even once. You could eliminate all 20\u00a0Chronicle\u00a0hits from their catalog and you\u2019d still have the best non-Beatles\/Stones band of their era.<\/p>\n<p>But why would you want to do that? It\u2019s America\u2019s favorite greatest-hits album because it\u2019s also the best, with CCR\u2019s angriest (\u201cFortunate Son\u201d), scariest (\u201cBorn on the Bayou\u201d), sluttiest (\u201cSweet Hitch-Hiker\u201d), screamiest (\u201cTravelin\u2019 Band\u201d), dreamiest (\u201cLong As I Can See the Light\u201d), hippiest (\u201cUp Around the Bend\u201d), meanest (\u201cRun Through the Jungle\u201d), countriest (\u201cGreen River\u201d), and funniest (\u201cLookin\u2019 Out My Back Door\u201d), with the finest three seconds of Fogerty\u2019s vocal life, that \u201cyeeeeah\u201d into the final chorus of \u201cHave You Ever Seen the Rain.\u201d But my favorite isn\u2019t even a Fogerty tune \u2014 \u201cI Heard It Through the Grapevine\u201d is their bash at a Marvin Gaye classic, not even getting the words right, just a headbang guitar jam riding Doug Clifford\u2019s cowbell clunks, their most libidinal sex groove, building for a comically absurd 11 minutes. No song sounds better in the car in the summer sun with the windows down. Except maybe the other songs on\u00a0Chronicle.<br \/>\nhttps:\/\/www.rollingstone.com\/music\/music-features\/creedence-clearwater-revival-ccr-chronicle-americas-biggest-band-1235073385\/<\/p>\n<hr \/>\n<p>Why Does Music Make Us Feel Things?<br \/>\nKatrina McFerran<\/p>\n<p>https:\/\/theconversation.com\/why-does-music-make-us-feel-things-250756<\/p>\n<p>Swedish music psychology researcher Patrik Juslin proposed the most popular explanation of music\u2019s ability to trigger emotion.<\/p>\n<p>He identified eight key mechanisms under the acronym BRECVEMA.<\/p>\n<p>1.Brain stem reflexes \u2013 maybe a movie jumpscare moment or another sudden, frightening sound triggering a pre-conscious response. Evolution programmed these reactions into the brain over thousands of years in order to influence arousal levels and initiate the necessary emotional response.<\/p>\n<p>2.Rhythmic entrainment, like the tendency to tap your foot to the beat; the benefits of moving in time together have been critical to human survival and evolution.<\/p>\n<p>3.Evaluative conditioning in the fashion of Pavlov\u2019s dog. After years of watching and cultural references, we hear the Jaws music and automatically feel tense.<\/p>\n<p>4.The contagion effect, wherein we feel the emotions we perceive in the music. Lyrics aren\u2019t necessary; the Peanuts cartoon\u2019s signature tune, for example, strongly conveys childhood wonder and freedom without any words.<\/p>\n<p>5.The visual imagery many people experience when listening to music, imagery which is often tied to some deep emotion.<\/p>\n<p>6.Episodic memories, when hearing certain music brings up recollections of a past event. Music therapists can monitor the emotional reactions people have when unexpectedly reminded of particular situations, be they positive, negative or both. The therapists then use their expertise to support people in processing these resulting emotions.<\/p>\n<p>7.Musical expectancy, when we anticipate the resolution of a chord or phrase. This is something you might feel rather than consciously notice. Take My Heart Will Go On: a delicate tension builds through the chorus, before finally resolving as Celine Dion sings the final line of the section and listeners are put to ease.<\/p>\n<p>8. Aesthetic judgements, closely related to the ways we experience pleasure, are our personal emotional responses to how beautiful (or not) we consider a piece of music.<\/p>\n<p>Alguns mantenen que la musicalitat t\u00e9 una funci\u00f3 evolutiva que ajuda a connectar amb els altres, comen\u00e7ant per quan gronxem un nad\u00f3 als bra\u00e7os[per ballar junts?]. Steven Pinker, pel contrari diu que no t\u00e9 valor, \u00e9s un cheesecake.<\/p>\n<p>2025 BMRQ<\/p>\n<p>Hi ha indicis que la manera de gaudir la m\u00fasica \u00e9s gen\u00e8tica (<a href=\"https:\/\/nautil.us\/weve-got-the-beat-in-our-genes-1211821\/\">nautilus<\/a>).\u00a0En els estudis fets amb bessons es feia servir el Barcelona Music Reward Questionnaire (BMRQ) desenvolupat per un equip de recerca liderat per Dr. Josep Marco-Pallar\u00e9s i Dr. Robert Zatorre, entre d&#8217;altres, com a part d\u2019un projecte col\u00b7laboratiu entre la Universitat de Barcelona (UB) i el Montreal Neurological Institute de la Universitat McGill al Canad\u00e0.\u00a0 (<a href=\"https:\/\/www.academia.edu\/17041861\/Individual_Differences_in_Music_Reward_Experiences\">Academia<\/a>), <a style=\"font-size: 1rem;\" href=\"https:\/\/online.ucpress.edu\/mp\/article-abstract\/31\/2\/118\/62587\/Individual-Differences-in-Music-Reward-Experiences\">The Barcelona Music Reward Questionnaire: A tool to assess individual differences in music reward experiences<\/a><\/p>\n<p>El q\u00fcestionari cient\u00edfic mesura com i quant una persona experimenta recompensa amb la m\u00fasica, \u00e9s a dir, el plaer i inter\u00e8s que obt\u00e9 de diferents aspectes de l&#8217;experi\u00e8ncia musical. Serveix en recerca sobre el cervell i la m\u00fasica, casos d&#8217;anhedonia i estudis culturals. Avalua 5 dimensions:<\/p>\n<p>1. Musical Seeking (cerca activa de m\u00fasica)<br \/>\n2. Emotion Evocation (emocions provocades per la m\u00fasica)<br \/>\n3. Mood Regulation (\u00fas de la m\u00fasica per regular l\u2019estat d\u2019\u00e0nim)<br \/>\n4. Social Reward (\u00fas social de la m\u00fasica)<br \/>\n5. Sensory-Motor (respostes f\u00edsiques i sensorials)<\/p>\n<p><a href=\"https:\/\/www.brainvitge.org\/bmrq_eng.html\">Barcelona Music Reward Questionnaire<\/a><br \/>\n1. When I share music with someone I feel a special connection with that person. (1-5):<br \/>\n2. In my free time I hardly listen to music. (1-5):<br \/>\n3. I like listen to music that contains emotion. (1-5):<br \/>\n4. Music keeps me company when I&#8217;m alone. (1-5):<br \/>\n5. I don&#8217;t like to dance, not even with music I like. (1-5):<br \/>\n6. Music makes me bond with other people. (1-5):<br \/>\n7. I inform myself about music I like. (1-5):<br \/>\n8. I get emotional listening to certain pieces of music. (1-5):<br \/>\n9. Music calms and relaxes me. (1-5):<br \/>\n10. Music often makes me dance. (1-5):<br \/>\n11. I&#8217;m always looking for new music. (1-5):<br \/>\n12. I can become tearful or cry when I listen to a melody that I like very much (1-5):<br \/>\n13. I like to sing or play an instrument with other people. (1-5):<br \/>\n14. Music helps me chill out. (1-5):<br \/>\n15. I can&#8217;t help humming or singing along to music that I like. (1-5):<br \/>\n16. At a concert I feel connected to the performers and the audience. (1-5):<br \/>\n17. I spend quite a bit of money on music and related items. (1-5):<br \/>\n18. I sometimes feel chills when I hear a melody that I like. (1-5):<br \/>\n19. Music comforts me. (1-5):<br \/>\n20. When I hear a tune I like a lot I can&#8217;t help tapping or moving to its beat. (1-5):<\/p>\n","protected":false},"excerpt":{"rendered":"<p>423h Hist\u00f2ria | 423o bres | Compositors i int\u00e8rprets | Experi\u00e8ncies musicals [hist\u00f2ria societats] El cam\u00ed del saber, des de la m\u00fasica que tenim al voltants fins a reconstruir el proc\u00e9s | Les meves experi\u00e8ncies | la meva col\u00b7lecci\u00f3 (1) l&#8217;evoluci\u00f3 de les obres, formes musicals, Tonalitats Serialisme el mercat &gt;&gt; fer el amrcat de &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/meumon.synology.me\/museu\/4-inventari-tot\/42-cultura\/423-musica\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;423 M\u00fasica&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":824,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/pages\/821"}],"collection":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/comments?post=821"}],"version-history":[{"count":0,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/pages\/821\/revisions"}],"up":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/pages\/824"}],"wp:attachment":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/media?parent=821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}