Previ : Naturalisme<\/p>\n
[Problema: \u00e9s una visi\u00f3 limitada de la realitat, la vida avorrida?, deixa fora l’ideal, el m\u00f3n dels somnis?]<\/p>\n
[Proposta: explorem m\u00e9s enll\u00e0 de la simple descripci\u00f3, evoquem m\u00f3ns potser inexistents, o ocults, fem servir s\u00edmbols per expressar estats d’\u00e0nim o ens que no es troben en la vida quotidiana][Localitzat a Fran\u00e7a, B\u00e8lgica i R\u00fassia]<\/p>\n
[Discussi\u00f3: Fins a quin punt els artistes trien evocar mites existents i fins a quin punt n’exploren de nous? L’acte creatiu de proposar un m\u00f3n iedal, la belles c\u00f1l\u00e0ssica, que no es troba en la realitat, \u00e9s una fugida, un engany? \u00e9s una manera de construir un m\u00f3n diferent? Hi ha una semblan\u00e7a amb l’acte de creaciu\u00f3 religiosa de proposar un D\u00e9u, o amb la ficci\u00f3 suprema de Wallace Stevens][quina relaci\u00f3 hi ha amb Poussin i Claude Lorraine?]<\/p>\n
[el simbolisme, en rebutjar la realitat, no fa un moviment semblant al religi\u00f3is? creure en una ficci\u00f3 alternativa??]<\/p>\n
https:\/\/en.wikipedia.org\/wiki\/Symbolism_(arts)<\/a><\/p>\n 1886: Data en que Jean Mor\u00e9as publica el Manifest simbolista<\/p>\n 1914: [l’he posat a ull, mirant les dates en que can morir els autors, i just abans de la Gran Guerra]<\/p>\n Symbolism was largely a reaction against naturalism and realism, anti-idealistic styles which were attempts to represent reality in its gritty particularity, and to elevate the humble and the ordinary over the ideal. Symbolism was a reaction in favour of spirituality, the imagination, and dreams.[1] Some writers, such as Joris-Karl Huysmans, began as naturalists before becoming symbolists; for Huysmans, this change represented his increasing interest in religion and spirituality. Certain of the characteristic subjects of the Decadents represent naturalist interest in sexuality and taboo topics, but in their case this was mixed with Byronic romanticism and the world-weariness characteristic of the fin de si\u00e8cle period.<\/p>\n Schopenhauer’s aesthetics represented shared concerns with the symbolist programme; they both tended to consider Art as a contemplative refuge from the world of strife and will. As a result of this desire for an artistic refuge, the symbolists used characteristic themes of mysticism and otherworldliness, a keen sense of mortality, and a sense of the malign power of sexuality, which Albert Samain termed a “fruit of death upon the tree of life.”<\/p>\n Literatura: The symbolist poets wished to liberate techniques of versification in order to allow greater room for “fluidity”, and as such were sympathetic with the trend toward free verse, as evident in the poems of Gustave Kahn and Ezra Pound. Symbolist poems were attempts to evoke, rather than primarily to describe; symbolic imagery was used to signify the state of the poet’s soul. Baudelaire, Verlaine, Rimbaud<\/p>\n Art<\/a>: Symbolism in literature is distinct from symbolism in art although the two were similar in many aspects. In painting, symbolism can be seen as a revival of some mystical tendencies in the Romantic tradition<\/a>, and was close to the self-consciously morbid and private decadent movement<\/a>.<\/p>\n There were several rather dissimilar groups of Symbolist painters and visual artists, which included Gustave Moreau<\/a>, Gustav Klimt<\/a>, Mikalojus Konstantinas \u010ciurlionis<\/a>, Jacek Malczewski<\/a>, Odilon Redon<\/a>, Pierre Puvis de Chavannes<\/a>, Henri Fantin-Latour<\/a>, Gaston Bussi\u00e8re<\/a>, Edvard Munch<\/a>, F\u00e9licien Rops<\/a>, and Jan Toorop<\/a>. Symbolism in painting was even more widespread geographically than symbolism in poetry, affecting Mikhail Vrubel<\/a>, Nicholas Roerich<\/a>, Victor Borisov-Musatov<\/a>, Martiros Saryan<\/a>, Mikhail Nesterov<\/a>, L\u00e9on Bakst<\/a>, Elena Gorokhova<\/a> in Russia, as well as Frida Kahlo<\/a> in Mexico, Elihu Vedder<\/a>, Remedios Varo<\/a>, Morris Graves<\/a> and David Chetlahe Paladin in the United States. Auguste Rodin<\/a> is sometimes considered a symbolist sculptor.<\/p>\n The symbolist painters used mythological and dream imagery. The symbols used by symbolism are not the familiar emblems<\/a> of mainstream iconography<\/a> but intensely personal, private, obscure and ambiguous references. More a philosophy than an actual style of art, symbolism in painting influenced the contemporary Art Nouveau<\/a> style and Les Nabis<\/a>.[11]<\/a><\/sup><\/p>\n Symbolism had some influence on music as well. Many symbolist writers and critics were early enthusiasts of the music of Richard Wagner<\/a>,[19]<\/a><\/sup> an avid reader of Schopenhauer.<\/p>\n The symbolist aesthetic affected the works of Claude Debussy<\/a>. His choices of libretti<\/a><\/i>, texts, and themes come almost exclusively from the symbolist canon. Compositions such as his settings of Cinq po\u00e8mes de Charles Baudelaire<\/a><\/i>, various art songs<\/a> on poems by Verlaine, the opera Pell\u00e9as et M\u00e9lisande<\/a><\/i> with a libretto by Maurice Maeterlinck<\/a>, and his unfinished sketches that illustrate two Poe stories, The Devil in the Belfry<\/a><\/i> and The Fall of the House of Usher<\/a><\/i>, all indicate that Debussy was profoundly influenced by symbolist themes and tastes. His best known work, the Pr\u00e9lude \u00e0 l’apr\u00e8s-midi d’un faune<\/a><\/i>, was inspired by Mallarm\u00e9’s poem, L’apr\u00e8s-midi d’un faune<\/a><\/i>.[20]<\/a><\/sup><\/p>\n The symbolist aesthetic also influenced Aleksandr Scriabin<\/a>‘s compositions. Arnold Schoenberg<\/a>‘s Pierrot Lunaire<\/a><\/i> takes its text from German translations of the symbolist poems by Albert Giraud<\/a>, showing an association between German expressionism and symbolism. Richard Strauss<\/a>‘s 1905 opera Salom\u00e9<\/a><\/i>, based on the play by Oscar Wilde<\/a>, uses a subject frequently depicted by symbolist artists.<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" Previ : Naturalisme [Problema: \u00e9s una visi\u00f3 limitada de la realitat, la vida avorrida?, deixa fora l’ideal, el m\u00f3n dels somnis?] [Proposta: explorem m\u00e9s enll\u00e0 de la simple descripci\u00f3, evoquem m\u00f3ns potser inexistents, o ocults, fem servir s\u00edmbols per expressar estats d’\u00e0nim o ens que no es troben en la vida quotidiana][Localitzat a Fran\u00e7a, B\u00e8lgica … <\/p>\n
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\nMusic<\/span><\/h3>\n