{"id":1210,"date":"2019-04-14T09:58:39","date_gmt":"2019-04-14T09:58:39","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?p=1210"},"modified":"2024-04-03T16:23:15","modified_gmt":"2024-04-03T16:23:15","slug":"orfeu","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/orfeu\/","title":{"rendered":"Orfeu"},"content":{"rendered":"

viquipedia<\/a><\/p>\n

La majoria dels autors fan d’Orfeu, fill d’\u00c8agre i de la Musa Cal\u00b7l\u00edope, originari de la regi\u00f3 de Tr\u00e0cia [NE Gr\u00e8cia, S Bulg\u00e0ria, W Turquia, vall del riu Marica]. Sovint, per\u00f2, apareix com a progenitor el d\u00e9u Apol\u00b7lo, fet que explicaria els extraordinaris dots musicals (tant vocals com instrumentals) d’Orfeu i explicaria tamb\u00e9 que sigui la c\u00edtara el seu instrument per excel\u00b7l\u00e8ncia (Apol\u00b7lo va sempre associat a la m\u00fasica de corda).<\/p>\n

Els testimonis escrits m\u00e9s antics fan d’Orfeu un membre de l’expedici\u00f3 de J\u00e0son a bord la nau Argo a la recerca del vell\u00f3 d’or: Ferecides, recollit per un escoli a Apol\u00b7loni de Rodes, la P\u00edtica IV de P\u00edndar, la trag\u00e8dia d\u2019Eur\u00edpides Hypsipyle i Herodor d’Heraclea.<\/p>\n

The most famous story in which Orpheus figures is that of his wife Eurydice (sometimes referred to as Euridice and also known as Argiope). While walking among her people, the Cicones, in tall grass at her wedding, Eurydice was set upon by a satyr. In her efforts to escape the satyr, Eurydice fell into a nest of vipers and suffered a fatal bite on her heel. Her body was discovered by Orpheus who, overcome with grief, played such sad and mournful songs that all the nymphs and gods wept. On their advice, Orpheus travelled to the underworld. His music softened the hearts of Hades and Persephone, who agreed to allow Eurydice to return with him to earth on one condition: he should walk in front of her and not look back until they both had reached the upper world. He set off with Eurydice following, and, in his anxiety, as soon as he reached the upper world, he turned to look at her, forgetting that both needed to be in the upper world, and she vanished for the second time, but now forever.[Banquet de Plat\u00f3, Virgili, Metamorfosis X XI]<\/p>\n

Mort<\/p>\n

Feeling spurned by Orpheus for taking only male lovers, the Ciconian women, followers of Dionysus] first threw sticks and stones at him as he played, but his music was so beautiful even the rocks and branches refused to hit him. Enraged, the women tore him to pieces during the frenzy of their Bacchic orgies.<\/p>\n

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Orfisme<\/a><\/p>\n

L’orfisme<\/b> fou un moviment religi\u00f3s mist\u00e8ric de l’antiga Gr\u00e8cia<\/a>, l’origen del qual es remunta al segle\u00a0vii<\/span> o VIII aC. La seva fundaci\u00f3 es va atribuir al m\u00edtic poeta i m\u00fasic Orfeu<\/a> (fill de la musa Cal\u00b7l\u00edope<\/a>), que en els seus himnes (Himnes \u00f2rfics<\/i>) narra el nucli m\u00edtic de la creen\u00e7a. L’orfisme consistia a no donar plaers al cos per purificar l’\u00e0nima (ascetisme<\/a>): eren vegetarians, no els importaven les coses materials. Feien aix\u00f2 perqu\u00e8 creien en la reencarnaci\u00f3 de l’\u00e0nima.[1]<\/a><\/sup><\/p>\n

L’orfisme defens\u00e0 el que es coneix com a metempsicosi<\/i>. Aquest concepte consisteix en la creen\u00e7a de la transmigraci\u00f3 de l’\u00e0nima a altres cossos despr\u00e9s de la mort. Aquesta migraci\u00f3 de l’\u00e0nima es podia produir entre animals i humans. Aquesta secta va influir notablement en la filosofia, especialment en Pit\u00e0gores i els pitag\u00f2rics<\/a>, tamb\u00e9 anomenats orficopitag\u00f2rics.<\/p>\n

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Inspir\u00e0 Claudio Monteverdi’s L’Orfeo (1607), Luigi Rossi’s L’Orfeo (1647), Christoph Willibald Gluck’s Orfeo ed Euridice (1762), Joseph Haydn’s last opera L’anima del filosofo, ossia Orfeo ed Euridice (1791), Franz Liszt’s symphonic poem Orpheus (1854), Igor Stravinsky’s ballet Orpheus (1948) .<\/p>\n

Els sonets a Orfeu de Rilke (1922)<\/p>\n

Gustave Moreau<\/figcaption><\/figure>\n
\n

Horaci, ODES I.12<\/p>\n

\u00bfQuin home, quin heroi et proposes de celebrar amb la lira o amb l’aguda flauta, Clio? \u00bfQuin d\u00e9u? \u00bfDe qui \u00e9s el nom que l’eco burlesc repetir\u00e0 dins les ombroses rodalies de l’Helic\u00f3 o al cim del Pindos o al gla\u00e7at Hemos, des d’on els boscos seguiren d’esma el cantor Orfeu,\u00a0 el qual, amb l’art apr\u00e8s de la seva mare, feia aturar el corrent r\u00e0pid dels rius i els vents velo\u00e7os, i era dol\u00e7ament h\u00e0bil a conduir amb les seves cordes harmonioses els roures, que el sentien?<\/p>\n","protected":false},"excerpt":{"rendered":"

viquipedia La majoria dels autors fan d’Orfeu, fill d’\u00c8agre i de la Musa Cal\u00b7l\u00edope, originari de la regi\u00f3 de Tr\u00e0cia [NE Gr\u00e8cia, S Bulg\u00e0ria, W Turquia, vall del riu Marica]. Sovint, per\u00f2, apareix com a progenitor el d\u00e9u Apol\u00b7lo, fet que explicaria els extraordinaris dots musicals (tant vocals com instrumentals) d’Orfeu i explicaria tamb\u00e9 que … <\/p>\n

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