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<\/p>\nKomarov s’envola despr\u00e9s d’una discussi\u00f3 amb la dona, al cel hi troba altra gent volant, alguns sols, altres que es fan petits fins a ser confosos amb ocells.<\/p>\n
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A mi m’il\u00b7lustra el somni de sortir volant. Forma part de la s\u00e8rie 10 car\u00e0cters.<\/p>\n
\u00c0lbum<\/a><\/p>\n The ten albums tell ten fables: they suggest ten positions from which Homo Sovieticus can react to his world, ten psychological attitudes, ten perspectives on emptiness, ten parodies of the aesthetic traditions through which Kabakov evolved his vocabulary, ten aspects of Kabakov\u2019s personality.<\/p>\n In the album The Joker Gorokhov, the \u2018humorous\u2019 attitude toward life comes under criticism as a way of perceiving one\u2019s surroundings that is too light, non-conflictual.<\/p>\n In the album, Generous Barmin, what is analyzed is the capability and desire of each person to \u2018define\u2019 another person, to impart to him various qualities, as a rule, that have nothing in common with the actual person.<\/p>\n In the album Agonizing Surikov, the character suffers because life, the meaning of life, is concealed from him by a film. He sees only parts, shreds, fragments through this curtain.<\/p>\n The album Anna Petrovna Has a Dream tells about a soul that no longer has a material, physical shell. This soul travels amidst our world, not touching anything, and ultimately it flies off, abandoning this world.<\/p>\n The Flying Komarov is a utopia of bliss, a state of eternal hovering, suspension between heaven and earth, between a dream and reality.<\/p>\n In Mathematical Gorsky we have the fear of winding up in a compulsory series with \u2018others,\u2019 a desire no matter what to \u2018leave the series,\u2019 to abandon it.<\/p>\n The album The Decorator Malygin is about the impossibility, the lack of desire, to wind up in the \u2018center,\u2019 to step out into the \u2018middle,\u2019 about the desire to hide in the corner, to be \u2018on the edge,\u2019 \u2018on the side.\u2019<\/p>\n The Released Gavrilov tells about the desire to run, disappear, dissolve, lose oneself in nature, where nature is the image of happy idleness, happy non-being.<\/p>\n The last album of Ten Characters \u2013 The Looking- Out-the-Window Arkhipov \u2013 tells about a dying consciousness where the images of consciousness blur like temporary designs on glass, and a vision of another world emerge before one\u2019s consciousness.<\/p>\n <\/p>\n <\/p>\n Artista conceptual de Mosc\u00fa dels 80. Vaig veure tamb\u00e9 “vida a l’armari”. https:\/\/ilya-emilia-kabakov.com\/<\/a><\/p>\n Aquest \u00e9s un exemple de les instal\u00b7lacions<\/a> que ha fet la resta de la seva carrera. Cadascuna un m\u00f3n imaginari que convida a entrar-hi.<\/p>\n
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