{"id":1289,"date":"2019-06-08T09:34:09","date_gmt":"2019-06-08T09:34:09","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?p=1289"},"modified":"2022-03-30T16:37:11","modified_gmt":"2022-03-30T16:37:11","slug":"rothko-black-over-grey","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/rothko-black-over-grey\/","title":{"rendered":"Rothko. Black over Grey. 1969"},"content":{"rendered":"<p><a href=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rothkoblackgrey1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rothkoblackgrey1.jpg\" alt=\"\" width=\"1024\" height=\"768\" \/><\/a><\/p>\n<p><a href=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rothkoblackgrey2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rothkoblackgrey2.jpg\" alt=\"\" width=\"1024\" height=\"768\" \/><\/a><\/p>\n<p>Vistes al KHM a Viena el maig de 2019, procedents d&#8217;una col\u00b7lecci\u00f3 privada. &#8220;Working with acrylic paint on canvases primed with white gesso, he separates the picture plane horizontally into two distinct fields with dark above and light below. His brushwork, particularly in the lower grey sections into which he folds ochre and blue, is unusually llose. Where the two fields meet, our minds invariably perceive a horizon line, which in turn encourages a reading of the works as desolate, abandoned landscapes. [&#8230;] The critic Robert Rosenblum sought to establish a relationship with the work of German Romantic artist Caspar David Friedrich, specifically with the feelings of infinity and mortality evoked in paintings such as <a href=\"http:\/\/meumon.synology.me\/museu\/caspar-friedrich-der-monch-am-meer\/\">The Monk by the sea<\/a> (1808-10), suggesting that &#8216;we ourselves are the monk before the sea&#8217;.<\/p>\n<p>Els paisatges recorden tamb\u00e9 les fotografies del mar de<a href=\"http:\/\/meumon.synology.me\/museu\/hiroshi-sugimoto-seascapes\/\"> Hiroshi Sugimoto<\/a>. L&#8217;efecte del monjo contemplant un paisatge sublim \u00e9s real. Els visitants quedaven quiets davant les pintures, com meditant.<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rotyhkomuseu1.jpg\" alt=\"\" width=\"1024\" height=\"768\" \/><br \/>\n<img decoding=\"async\" loading=\"lazy\" class=\"alignnone\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/rothkomuseu2.jpg\" alt=\"\" width=\"1024\" height=\"768\" \/><\/p>\n<p>A la llibreria hi tinc una postal amb un figureta en un bloc de formig\u00f3, que evoca la contemplaci\u00f3 d&#8217;un horitz\u00f3:<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/fotos\/esculturarothko.jpg\" width=\"768\" height=\"1024\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vistes al KHM a Viena el maig de 2019, procedents d&#8217;una col\u00b7lecci\u00f3 privada. &#8220;Working with acrylic paint on canvases primed with white gesso, he separates the picture plane horizontally into two distinct fields with dark above and light below. His brushwork, particularly in the lower grey sections into which he folds ochre and blue, is &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/meumon.synology.me\/museu\/rothko-black-over-grey\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Rothko. Black over Grey. 1969&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[179],"tags":[299,292,101,293,291],"anotacio":[],"civilitzacio":[],"spec":[],"aspecies":[],"Tema poesia":[],"_links":{"self":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/1289"}],"collection":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/comments?post=1289"}],"version-history":[{"count":0,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/1289\/revisions"}],"wp:attachment":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/media?parent=1289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/categories?post=1289"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/tags?post=1289"},{"taxonomy":"anotacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/anotacio?post=1289"},{"taxonomy":"civilitzacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/civilitzacio?post=1289"},{"taxonomy":"spec","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/spec?post=1289"},{"taxonomy":"aspecies","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/aspecies?post=1289"},{"taxonomy":"Tema poesia","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/Tema poesia?post=1289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}