{"id":1889,"date":"2020-05-31T16:43:14","date_gmt":"2020-05-31T16:43:14","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?p=1889"},"modified":"2020-05-31T17:00:08","modified_gmt":"2020-05-31T17:00:08","slug":"vexations-satie","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/vexations-satie\/","title":{"rendered":"Vexations. Satie"},"content":{"rendered":"

Pe\u00e7a de 1893 amb la indicaci\u00f3 que es toqui 840 vegades.). Impr\u00e8s per primer cop per John Cage el 1949.\u00a0 Es va “executar” per primer cop el 1963. Pianists included: John Cage, David Tudor, Christian Wolff, Philip Corner, Viola Farber, Robert Wood, MacRae Cook, John Cale, David Del Tredici, James Tenney, Howard Klein (the New York Times reviewer, who coincidentally was asked to play in the course of the event) and Joshua Rifkin, with two reserves, on September 9, 1963. Cage set the admission price at $5 and had a time clock installed in the lobby of the theatre. Each patron checked in with the clock and when leaving the concert, checked out again and received a refund of a nickel for each 20 minutes attended. “In this way,” he told Lloyd, “People will understand that the more art you consume, the less it should cost.” But Cage had underestimated the length of time the concert would take. It lasted over 18 hours. (45 segons 840 serien unes 11 hores).<\/p>\n