{"id":276,"date":"2018-01-08T18:50:27","date_gmt":"2018-01-08T18:50:27","guid":{"rendered":"http:\/\/192.168.1.40\/museu\/?p=276"},"modified":"2019-01-21T21:01:10","modified_gmt":"2019-01-21T21:01:10","slug":"historia-de-lart","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/historia-de-lart\/","title":{"rendered":"Hist\u00f2ria de l’art"},"content":{"rendered":"

[seguint Gombrich]<\/p>\n

Pobles prehist\u00f2rics i primitius
\nArt per la religi\u00f3: Egipte, Mesopot\u00e0mia, Creta, Gr\u00e8cia, Roma, Orient, Europa medieval
\nL’ideal de l’home, la conquesta de la realitat, l’el\u00b7laboracio barroca i manierista
\nRuptura, sXIX, avantguarda sXX<\/p>\n

\n

Pobles prehist\u00f2rics i primitius<\/p>\n

Funci\u00f3 m\u00e0gica de la imatge. Representacions naturals al paleol\u00edtic, esquemes al neol\u00edtic<\/p>\n

Vist: <\/span>Lascaux, Taltehull, els megalits de Menorca, els menhirs de Carnac<\/span><\/p>\n

\n

Art per la religi\u00f3: Egipte, Mesopot\u00e0mia, Creta, Gr\u00e8cia, Roma, Orient, Europe medieval<\/p>\n

2. Art per a l’eternitat: Egipte, Mesopot\u00e0mia i Creta
\nVist: Abu Simbel, el temple i les pintures amb herogl\u00edfics,
\nLa lleona ferida al Louvre [assiris British Museum]<\/p>\n

7. Orient, Islam i Xina del II al XII
\n[p.87 temples budistes a la \u00cdndia al sII]
\nIslam, tap\u00eds persa
\n[mesquites a Egipte, \u00cdndia, Tun\u00edsia]
\n[paisatges zen, MET, Jap\u00f3,<\/p>\n

3 i 4. El gran despertar: Gr\u00e8cia
\nEscultures al British, Louvre, Pergamom Berlin, museu d’Atenes, museu del Vatic\u00e0
\nEl Parten\u00f3 d’Atenes, teatre Epidaure, Olimpia, Delfos<\/p>\n

5 i 6. Roma i Bizanci
\nRoma: El foro rom\u00e0, el pante\u00f3, retrats al museu d’hist\u00f2ria de Barcelona
\nEls mosaics de R\u00e0vena [la manera de representar els sants es consolidar\u00e0 a l’esgl\u00e9sia ortodoxa]<\/p>\n

8 9 10 11 L’esgl\u00e9sia
\nInicis: Tap\u00eds de Bayeux, Llibres il\u00b7luminats\u00a0 (Morgan Library, museu Dublin, Llibre Taschen) [Tap\u00eds creaci\u00f3 Girona?]
\nS.XII l’esgl\u00e9sia militant: el rom\u00e0nic [Vall de Boh\u00ed], Arles, [el rom\u00e0nic espl\u00e8ndid de Pisa
\nsXIII L’esgl\u00e9sia triomfant: el g\u00f2tic Notre Dame, Sta. Maria del Mar, Catedrla de Girona, Sainte Chapele. GIOTTO Capella degli Scrovegni a P\u00e0dua [G\u00f2tic catal\u00e0 al MNAC]
\nsXIV Cortesans i burgesos, arquitectura civil<\/p>\n

\n

L’ideal de l’home, la conquesta de la realitat, l’el\u00b7laboracio barroca i manierista<\/p>\n

SEGLE XV
\n12 sXVa Flor\u00e8ncia: Capella dei Pazzi, catedral de Brunelleschi, Sant Jordi de Donatello \/\u00a0 Nord d’Europa: Van Eyck, el matrimoni Arnolfini
\n13 sXVb Alberti,, Fra Angelico, Piero della Francesca, Botticelli
\n14 SXV al nord G\u00f2tic flam\u00edfer. Roger Van der Wyden (descendiment al Prado)<\/p>\n

SEGLE XVI
\n15 Roma i Toscana. Bramante, LEONARDO da Vinci, Ghirlandaio, MICHELANGELO, Perugino, Rafael
\n16 Ven\u00e8cia. Giorgione i la tempesta, Tiziano, Veronese, Correggio
\n17 Alemanya i els Pa\u00efsos baixos. Catedral de Bruges, D\u00dcRER [gravat, llibres, Albertina, quadres al Prado]. Gr\u00fcnewald a Colmar. HYERONIMUS BOSCH
\n18 sXVIb, una crisis de l’art: PALLADIO, Parmigianino, Tintoretto, El Greco. Holbein [els retrats]. Brueghel [de petit mirava la pintura de les noces amb els plats]<\/p>\n

SEGLE XVII
\n19 Barroc. Carracci. CARAVAGGIO. \/\/ POUSSIN, CLAUDE LORRAINE. Rubens. Vel\u00e1zquez.
\n20 Holanda. Frans Hals. Ruysdael. Van Goyen. Rembrandt. JAN VERMEER<\/p>\n

SEGLE XVIII
\n21 Sant Agnese a Pza. Navona. Bernini l’\u00e8xtasi de Sta. Teresa. Ti\u00e9polo
\n22 Versailles. Belvedere de Viena. Monestir de Melk. Watteau.
\n23. L’edat de la ra\u00f3: ANglaterra: Saint Paul’s. Stourhead. Hogarth. Reynolds. Gainsborough<\/p>\n

\n

Ruptura, sXIX, avantguarda sXX<\/p>\n

sXIX
\n24 finals18, 19Anglaterra: neog\u00f2tic, regency. David Marat [Brusel\u00b7les, vist]. Goya. Blake. Turner. Constable. CASPAR FRIEDRICH
\n25. La revoluci\u00f3 permanent. Ingres. Delacroix. Millet. Courbet. Els prerafaelites, Dante Gabriel Rosetti.\u00a0 Manet. Monet. Pisarro. Degas. Rodin. Whistler.
\n26. Els modernistes. Victor Horta. Gaud\u00ed. Cezanne. Van Gogh. Gauguin.<\/p>\n

Simbolisme<\/a><\/p>\n

porta<\/span>raquetes<\/span><\/p>\n

?! p\u00e0gina cerca, lectures 2018, imatges per url<\/span><\/p>\n

\u00e0lbums 2017<\/span><\/p>\n

pares a Suara, noveles mare, paquet montserrat<\/span><\/p>\n

trucada E operaci\u00f3 Nacho<\/span><\/p>\n

trompeta<\/span><\/p>\n

Huysman a Rebours<\/span><\/p>\n

felicitacions agnes al grup dels avis<\/span><\/p>\n

 <\/p>\n

sXX
\n27 L’art experimental. Bauhaus. Munch. Kandinsky. Ferdinand HODLER. Matisse. Picasso. Paul Klee. Giacometti. MONDRIAN. Calder. Henry Moore. Chagall. Dal\u00ed.
\n28 Jackson Pollock. T\u00e0pies. Rothko. Mir\u00f3.Lucien Freud.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

[seguint Gombrich] Pobles prehist\u00f2rics i primitius Art per la religi\u00f3: Egipte, Mesopot\u00e0mia, Creta, Gr\u00e8cia, Roma, Orient, Europa medieval L’ideal de l’home, la conquesta de la realitat, l’el\u00b7laboracio barroca i manierista Ruptura, sXIX, avantguarda sXX Pobles prehist\u00f2rics i primitius Funci\u00f3 m\u00e0gica de la imatge. Representacions naturals al paleol\u00edtic, esquemes al neol\u00edtic Vist: Lascaux, Taltehull, els megalits … <\/p>\n

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