{"id":3684,"date":"2025-12-29T17:22:58","date_gmt":"2025-12-29T17:22:58","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?p=3684"},"modified":"2026-01-18T11:36:30","modified_gmt":"2026-01-18T11:36:30","slug":"yan-ji-tu-mobles-modulars-xinesos","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/yan-ji-tu-mobles-modulars-xinesos\/","title":{"rendered":"Yan Ji Tu, mobles modulars xinesos"},"content":{"rendered":"<p>Art a Xina:\u00a0 <a href=\"http:\/\/meumon.synology.me\/museu\/pintura-xinesa\/#artsdecoratives\">Arts decoratives<\/a><\/p>\n<hr \/>\n<p>Taules per a banquets (Zh\u014du Y\u00ec Y\u00e0n J\u012b, \u5468\u6613\u5bb4\u51e0).<\/p>\n<p>&nbsp;<\/p>\n<p>[DS] A la dinastia Song els erudits i arist\u00f2crates utilitzaven un conjunt de taules rectangulars i triangulars per a banquets i reunions (Yanji) que es podien combinar de m\u00faltiples maneres per adaptar-se a diferents ocasions, nombre de convidats i espais.<\/p>\n<p>Taules de banquets: El dissenyador de mobles de la dinastia Ming, Huang B\u00f3si, va documentar i sistematitzar aquesta idea al seu llibre \u300a\u71d5\u51e0\u56fe\u300b (&#8220;<a href=\"http:\/\/www.chinaknowledge.de\/Literature\/Science\/yanjitu.html\">Yan Ji Tu<\/a>&#8221; &#8211; Diagrames de les taules de banquet, 1610 (The book is found in the\u00a0series\u00a0Shuofu\u00a0\u8aaa\u90db (Wanwei Shantang \u5b9b\u59d4\u5c71\u5802 edition),\u00a0Chongding Xinshangbian\u00a0\u91cd\u8a02\u6b23\u8cde\u7de8,\u00a0Cunsutang jiaoxie jipu san zhong\u00a0\u5b58\u7d20\u5802\u6821\u5beb\u51e0\u8b5c\u4e09\u7a2e (together with\u00a0Diejitu\u00a0\u8776\u51e0\u5716 and\u00a0Kuangjitu\u00a0\u5321\u51e0\u5716) and\u00a0Congshu jicheng chubian\u00a0\u53e2\u66f8\u96c6\u6210\u521d\u7de8.). Descriu un conjunt de 7 taules de formes modulars (principalment rectangles i triangles) i com combinar-les per formar fins a 70 configuracions diferents (des de petites taules auxiliars fins a grans taules de banquet en forma de papallona, diamant, etc.).<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/yanjitu_tangram.jpg\" width=\"1500\" height=\"870\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/huangbosiyanji.jpg\" width=\"640\" height=\"265\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/yanji2.jpg\" width=\"640\" height=\"475\" \/><\/p>\n<p>A la dinastia Qing aquesta noci\u00f3 evolucionar\u00e0 cap el trencaclosques del Tangram (&#8220;Q\u012b Qi\u0101o B\u01cen&#8221; &#8211; set peces intel\u00b7ligents). [<a href=\"http:\/\/meumon.synology.me\/museu\/a7-33-la-terrassa\/\">A733 terrassa<\/a>]<\/p>\n<p>G\u0113 Zh\u00f9 (\u6208\u6c55 \/ \u6208\u6fa3) va ampliar el sistema de taules fins a 13 i tamb\u00e9 va concebre un sistema modular de prestatgeries.<br \/>\nSe suposa que va viure a finals de la dinastia Ming, probablement durant els regnats de l&#8217;emperador Wanli (1573-1620) i l&#8217;emperador Tianqi (1620-1627), resident a Changshu (\u5e38\u719f), a la prov\u00edncia de Jiangsu, una regi\u00f3 c\u00e8lebre per la seva cultura d&#8217;erudits, col\u00b7leccionistes i artesans. No era un artes\u00e0 professional ni un fuster, sin\u00f3 un erudit, un &#8220;literati&#8221; (\u6587\u4eba &#8220;w\u00e9nr\u00e9n&#8221;), i probablement un col\u00b7leccionista amb inter\u00e8s en les arts, les matem\u00e0tiques i els dissenys enginyosos. Pertanyia a la classe social que podia permetre&#8217;s dedicar-se a passatemps intel\u00b7lectuals i a dissenyar mobles per a la pr\u00f2pia casa o per al gaudi dels seus amics.<br \/>\nPertanyia al mateix cercle que <a href=\"https:\/\/en.wikipedia.org\/wiki\/Wen_Zhenheng\">Wen Zhenheng<\/a> que va escriure el &#8220;Tractat de les coses sup\u00e8rflues&#8221;.<\/p>\n<ul>\n<li>\u300a\u8776\u51e0\u56fe\u300b &#8220;Di\u00e9 J\u01d0 T\u00fa&#8221; (Diagrames de les Taules Papallona) (1617): Desenvolupa el concepte de les &#8220;Taules de Banquet&#8221; (&#8220;Yanji&#8221;) de Huang B\u00f3si, per\u00f2 les porta a un nivell superior fins a 13 peces de formes triangulars i trapezoidals que, en combinar-se, recorden les ales d&#8217;una papallona (d&#8217;aqu\u00ed el nom). Proposa m\u00e9s de 100 configuracions diferents, des de petits reposapeus fins a immenses taules de banquet en forma de flors, cargols o figures geom\u00e8triques complexes. Demostra una ment matem\u00e0tica i l\u00fadica excepcional.<\/li>\n<li>\u300a\u5321\u51e0\u56fe\u300b &#8220;Ku\u0101ng J\u01d0 T\u00fa&#8221; (Diagrames de les Estructures de Marc). Aqu\u00ed documenta un sistema modular de prestatgeries o vitrines desmuntables amb encaixos precisos de cua d&#8217;oreneta que permetien crear estructures per exposar col\u00b7leccions d&#8217;antiguitats, adaptant la forma a cada objecte. L&#8217;usuari podia canviar l&#8217;al\u00e7ada entre prestatges, afegir o treure compartiments, crear n\u00ednxols de diferents mides i fins i tot reconfigurar tota l&#8217;estructura per adaptar-se exactament a la forma i la dimensi\u00f3 dels objectes que havia de contenir. Aix\u00f2 permetia a un col\u00b7leccionista adaptar la prestatgeria als objectes (llibres, bronzes, jade, cer\u00e0miques, instruments) que volia exposar. Un cop desmuntat es podien encaixar uns en altres poden emmagatzemar-se de manera compacta. Aquest sistema \u00e9s considerat el cim de l&#8217;enginyeria modular en mobiliari xin\u00e8s tradicional.<\/li>\n<li>\u300a\u96dc\u5668\u5716\u300b &#8220;Z\u00e1 Q\u00ec T\u00fa&#8221; (Diagrames de Diversos Utensilis), un llibre menys conegut, on probablement recollia dissenys per a altres objectes dom\u00e8stics o de estudi, ampliant el seu principi de versatilitat i disseny intel\u00b7ligent.<\/li>\n<\/ul>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/diejitu.jpg\" width=\"1500\" height=\"862\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/diejitu2.jpg\" width=\"600\" height=\"350\" \/><\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-medium\" src=\"http:\/\/meumon.synology.me\/museu\/fonsimatges\/art\/kuangjitu.jpg\" width=\"1000\" height=\"815\" \/><\/p>\n<p>\u591a\u5bf6\u683c (Du\u014d B\u01ceo G\u00e9) o \u300a\u535a\u53e4\u67b6\u300b(B\u00f3 G\u01d4 Ji\u00e0) &#8211; &#8220;Prestatgeries de cent tresors&#8221; o &#8220;llibreries per a antiguitats&#8221;<br \/>\nS\u00f3n prestatgeries ja constru\u00efdes, per\u00f2 el seu disseny intern \u00e9s purament modular i l\u00fadic. Cel\u00b7les irregulars formades per una xarxa de compartiments de diferents mides i formes geom\u00e8triques (quadrats, rectangles, rombes, hex\u00e0gons, etc.), sovint sense simetria aparent. L&#8217;objectiu \u00e9s crear una composici\u00f3 paisatg\u00edstica amb els objectes. El col\u00b7leccionista gaudia experimentant, movent una petita estatueta de jade d&#8217;un n\u00ednxol petit a un altre, combinant-la amb un llibre antic en un espai rectangular, o posant un gerro en un espai central. Era un joc de tangram tridimensional per a adults.<\/p>\n<p>En contrast amb el moble occidental tradicional, de forma fixa, les taules i prestatgeries reflecteixen flexibilitat i adaptabilitat per acollir els convidats o els objectes a exposar.<\/p>\n<p><a href=\"https:\/\/www.brickbox.es\/es\/cajas-para-pared\/?v=4c426cf3ca0d\">Brickbox<\/a>: la versi\u00f3 moderna que t\u00e9 la Teresa<\/p>\n<hr \/>\n<p>Al Golden Lotus, escrit\u00a0 al sXVI per\u00f2 situat a la dinastia Song, quan faig una cerca per &#8220;taules&#8221; surt constantment que en disposen dues, o 6 o quinze, segons els convidats i les menges que els volen oferir]<\/p>\n<p>Lin Yutang, The importance of Living:<\/p>\n<p>page 274<br \/>\nThe principle of divisible tables, known as \u201cyenchi,\u201d originated with a game similar to building blocks for Western children, according to which a collection of blocks of wood forming a perfect square can be made into the most diverse symbolic figures of animals, human figures, utensils and furniture on a flat surface. A \u201cyenchi\u201d table of six pieces could be arranged to form one or several tables of different size, square or rectangular or T-shaped, or with the tops at various angles, making a total of forty ways of arrangement. Another type, called tiehchi, or \u201cbutterfly tables,\u201d differ from the yenchi in having triangular pieces and diagonal lines, and therefore the resulting shapes of pieces put together present a greater diversity of outline.<\/p>\n<p>page 275<br \/>\nThis butterfly table consists of thirteen pieces, and together they form square tables, rectangular tables, diamond shaped tables, with or without varying kinds of holes, the possibility of novel arrangements being limited only by the ingenuity of the housewife.[&#8230;]<br \/>\nThe first divisible tables were invented either by the great Yuan painter, Ni Yiinlin, who was also a great collector of curios and old furniture, or still further back by certain Huang Posse of the southern Sung Dynasty. A later man, Hsiian Kuch\u2019ing, added one more piece, with the possibility of seventy-six different arrangements, for which pictures of the different arrangements exist. The design is simple enough, consisting of seven pieces all one unit wide, of which three pieces are two units long, two pieces are three units long and two pieces are four units long. The actual dimension given for the unit is one foot and three quarters, so that the two longest tables of four units are seven feet long. 6 This was invented by a certain Ko Shan, at the end of the Ming Dynasty, and the book giving sixty-two diagrams of its arrangements has been reprinted in various old Chinese libraries on the art of living.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Art a Xina:\u00a0 Arts decoratives Taules per a banquets (Zh\u014du Y\u00ec Y\u00e0n J\u012b, \u5468\u6613\u5bb4\u51e0). &nbsp; [DS] A la dinastia Song els erudits i arist\u00f2crates utilitzaven un conjunt de taules rectangulars i triangulars per a banquets i reunions (Yanji) que es podien combinar de m\u00faltiples maneres per adaptar-se a diferents ocasions, nombre de convidats i espais. &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/meumon.synology.me\/museu\/yan-ji-tu-mobles-modulars-xinesos\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Yan Ji Tu, mobles modulars xinesos&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[642],"tags":[283],"anotacio":[],"civilitzacio":[],"spec":[],"aspecies":[],"Tema poesia":[],"_links":{"self":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/3684"}],"collection":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/comments?post=3684"}],"version-history":[{"count":0,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/3684\/revisions"}],"wp:attachment":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/media?parent=3684"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/categories?post=3684"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/tags?post=3684"},{"taxonomy":"anotacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/anotacio?post=3684"},{"taxonomy":"civilitzacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/civilitzacio?post=3684"},{"taxonomy":"spec","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/spec?post=3684"},{"taxonomy":"aspecies","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/aspecies?post=3684"},{"taxonomy":"Tema poesia","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/Tema poesia?post=3684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}