{"id":609,"date":"2018-03-28T11:00:09","date_gmt":"2018-03-28T11:00:09","guid":{"rendered":"http:\/\/meumon.synology.me\/museu\/?p=609"},"modified":"2021-03-11T10:16:12","modified_gmt":"2021-03-11T10:16:12","slug":"vivaldi","status":"publish","type":"post","link":"http:\/\/meumon.synology.me\/museu\/vivaldi\/","title":{"rendered":"Vivaldi 1678 &#8211; 1741"},"content":{"rendered":"<p>4\/3\/1678 Ven\u00e8cia 28\/7\/1741 Viena. [ <a href=\"https:\/\/en.wikipedia.org\/wiki\/Antonio_Vivaldi\">wikipedia<\/a>, diccionari Grove ]<\/p>\n<hr \/>\n<p>1678 Ven\u00e8cia, virtu\u00f3s del viol\u00ed, probablement patia d&#8217;asma<\/p>\n<p>1703-1715 Ospedale<\/p>\n<p>1703 \u00e9s ordenat capell\u00e0, amb 25 anys. Li diran il Prete Rosso, pel color dels cabells.<\/p>\n<p>Contractat com a mestro di violino a l&#8217;Ospedale della Piet\u00e0 (ara \u00e9s un hotel de 5 estrelles, el Metropole, al costat de Chiesa della Piet\u00e0 &#8211; Santa Maria della Visitazione. Hi havia 4 institucions per a orfes mantinguda per la Rep\u00fablica. Els nois aprenien un ofici i les noies, m\u00fasica). Vivaldi havia de compondre m\u00fasica per les ocasions, fer assajar el cor i l&#8217;orquestra i ensenyar teoria.<\/p>\n<ul>\n<li>1705 Op.1 1<a href=\"https:\/\/en.wikipedia.org\/wiki\/Twelve_Trio_Sonatas%2C_Op._1_(Vivaldi)\">2 Trio sonatas<\/a>: 73, 67, 61, 66, 69, 62, 65, 64, 75, 78, 79, 63 Variacions sobre &#8220;La Follia&#8221;.<\/li>\n<li>1709 Op.2 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Twelve_Violin_Sonatas,_Op._2_(Vivaldi)\">12 sonates per a viol\u00ed<\/a>: 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32<\/li>\n<li>1711 Op.3\u00a0 l&#8217;Estro armonico, que va tenir gran \u00e8xit a Europa: 549, 578, 310, 550, 519, 356, 567, 522, 230, 580, 565, 265<\/li>\n<\/ul>\n<p>1711 Viatge a Brescia, Stabat Mater RV 621<\/p>\n<ul>\n<li>1714 Op.4 La Stravaganza : 383a, 279, 301, 357, 347, 316a, 185, 249, 284, 196, 204, 209<\/li>\n<\/ul>\n<hr \/>\n<p>1715 1718 Opera impresario<br \/>\n1718 Maestro di Cappella a Mantua, escriu les quatre estacions<\/p>\n<ul>\n<li>[1716 Op.5 6 sonates per a viol\u00ed: 18 30 33 35 76 72]<\/li>\n<li>1716 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Juditha_triumphans\">Juditha Triumphans<\/a>, RV 644<\/li>\n<li>1717 Op.6 6 Concerts per a viol\u00ed: 324 259 318 216 280 239<\/li>\n<li>[1717\u00a0 Op.7 143 188 326 354 285 374 142 299 153 294a 208a 214]<\/li>\n<\/ul>\n<hr \/>\n<p>1723 1740 Ospedale i viatges<\/p>\n<p>Despite his frequent travels from 1718, the Ospedale paid him 2 sequins to write two concerti a month for the orchestra and to rehearse with them at least five times when in Venice. The orphanage&#8217;s records show that he was paid for 140 concerti between 1723 and 1733.<\/p>\n<ul>\n<li>1723 Op.8\u00a0 Il Cimento dell&#8217;armonia e dell&#8217;invenzione\u00a0 12 Concerts, (amb les quatre estacions, 269, 315, 293, 297), La tempesta di mare 253, Il piacere 180, Per Pisensel 242, 332, 236, 454, La caccia 362, 210, 178.<\/li>\n<li>1727 Op. 9 La Cetra, 12 concerts, per a viol\u00ed, 181a 345 334 263a 358 348 359 238 530 300 198 391<\/li>\n<li>1728 Op.10 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Six_Concertos,_Op._11_(Vivaldi)\">sis concerts per a flauta<\/a>\u00a0 433 439 428 435 434 437<\/li>\n<\/ul>\n<p>1728 coneix l&#8217;emperador que el convida a Viena<\/p>\n<ul>\n<li>1730? (entre 1720 i 1730) 6 cello sonatas: (01 Cello Sonata No 3 RV43 in A minor, 05 Cello Sonata No 5 RV45 in E minor, 09 Cello Sonata No 9 RV49 in G minor)<\/li>\n<\/ul>\n<p>1740 Viatja a Viena esperant el favor de l&#8217;emperador i estrenar \u00f2peres pero aquest mor i els teatres tanquen.<\/p>\n<ul>\n<li>1740 sonates cello 47 41 43 45 40 46<\/li>\n<\/ul>\n<p>Mor\u00ed, pobre, el 1741<\/p>\n<p>[El Grove el descriu com un home amb molta vanitat i molta preocupaci\u00f3 pels diners. A l&#8217;\u00e8poca se&#8217;l valorava m\u00e9s com a violinista virtu\u00f3s m\u00e9s que no pas com a compositor. S&#8217;ha estudiat la seva influ\u00e8ncia en Bach.]<\/p>\n<hr \/>\n<p>Selecci\u00f3<br \/>\nConcerto f|r 2 Mandolinen G-dur RV 532: 1. Allegro<br \/>\nConcerto C-dur &#8220;con molti istromenti&#8221; RV 558: 1. Allegro molto<br \/>\nConcierto, F.III, 2 (P.411) RV 531 dos cellos<br \/>\nConcierto, F.IX, 1 (P.75)<br \/>\nConcierto (L&#8217;Inquietude) F.I, 10 (P.208)<br \/>\nKonzert in F dur fur Sopraninoblockflote und Saiteninstrumnete F.VI. 4 &#8211; I. Allegro RV 443<br \/>\nb.04 &#8211; Sonata No 12 in D minor &#8216;La Follia&#8217; op 1 RV 63 &#8211; Adagio- Tema con 19 variazioni (basat en Corelli)<\/p>\n<p>23-SONATA 4 AL SANTO SEPOLCRO RV.130-Largo molto<\/p>\n<hr \/>\n<p>M\u00daSICA SACRA<\/p>\n<p>Hi ha tres Laudate Pueri, dos Nisi Dominus, dos Dixit Dominus, tres Salve Regina<\/p>\n<p><a href=\"http:\/\/meumon.synology.me:5000\/as\/sharing\/pgVsMWoB\">Selecci\u00f3<\/a><\/p>\n<p>RV601 Magnificat OC20<br \/>\nRV587 Kyrie Eleison OC20<br \/>\nRV591 Credo OC20<br \/>\nRV594 Dixit Dominus OC20<br \/>\nRV626 In furore iustissima irae OC21<br \/>\nRV629 Longe mala, umbrae, terrores OC21<br \/>\nRV625 Clarae stellae OC21<br \/>\nRV623 Canta in prato OC21<br \/>\nRV638 Filieae mastae Jerusalem OC21<br \/>\nRV630 Nulla in mundo pax sincera OC21<br \/>\nRV595 Dixit Dominus OC22<br \/>\nRV593 Domine ad adjuvandum OC22<br \/>\nRV605 Credidi propter quod OC22<br \/>\nRV598 Beatus vir OC22<br \/>\nRV664Judita Triumphans 1 OC 23 i 24<br \/>\nRV627 In turbato mare OC25<br \/>\nRV641 Non in pratis aut in hortis OC25<br \/>\nRV621 Stabat mater OC25<br \/>\nRV631 O qui coeli terraque serenitas OC25<br \/>\nRV612 Deus tuorum militum OC25<br \/>\nRV596 Confitebor tibi OC25<br \/>\nRV795 Beatus vir OC26<br \/>\nRV617 Salve regina OC26<br \/>\nRV606 Laudate Dominum OC26<br \/>\nRV604 In exitu Israel OC26<br \/>\nRV608 Nisi Dominus OC26<br \/>\nRV607 Laetatus sum OC27<br \/>\nRV601 Laudate Pueri OC27<br \/>\nRV633 Vestro Principi divino OC27<br \/>\nRV639 Jubilate Gloria OC27<br \/>\nRV600 Laudate Pueri OC28<br \/>\nRV637 Cur sagittas, cur tela OC28<br \/>\nRV620 Sanctorum meritis OC28<br \/>\nRV616 Salve Regina OC28<br \/>\nRV602 Laudate Pueri OC29<br \/>\nRV618 Salve Regina OC29<br \/>\nRV635 Ascende laeta OC29<br \/>\nRV613 Gaude mater Ecclesia OC29<br \/>\nRV634 Vos aurae per montes OC29<br \/>\nRV589 Gloria OC30<br \/>\nRV803 Nisi Dominus OC30<br \/>\nRV642 Ostro picta OC30<br \/>\nRVAnh23 Gloria OC30<\/p>\n<hr \/>\n<p>Nisi Dominus (Psalm 126), R.608<br \/>\nCum dederit dilectis suis somnum; Ecce haereditas Domini, filii: Merces, fructus ventris.<br \/>\nque a partir d&#8217;una traducci\u00f3 anglesa seria:<br \/>\nQuan ha atorgat el son a aquells que estima, vet aqu\u00ed l&#8217;her\u00e8ncia dels Senyor, els fills, una recompensa, el fruit del ventre.<br \/>\nI que no es correspon del tot amb la traducci\u00f3 del salm a la B\u00edblia interconfessional (on \u00e9s el salm 127 seguint una numeraci\u00f3 diferent de la Vulgata) on sembla que el que D\u00e9u atorga fins quan dormen \u00e9s el pa.<br \/>\nCoses de les dificultats de les traduccions. segurament la m\u00e9s moderna \u00e9s m\u00e9s fidel que no el text en llat\u00ed de la Vulgata. Per\u00f2 va servir per inspirar Vivaldi.<br \/>\nSi Jahv\u00e8 no construeix la casa,<br \/>\n\u00e9s in\u00fatil l&#8217;afany dels constructors.<br \/>\nSi Jahv\u00e8 no guarda la ciutat,<br \/>\n\u00e9s in\u00fatil que vigilin els guardes.<br \/>\nEs in\u00fatil que us lleveu tan de mat\u00ed,<br \/>\ni aneu tan tard a reposar,<br \/>\nper menjar el pa que us guanyeu a dures penes. Fins quan dormen, D\u00e9u el d\u00f3na als seus amics.<br \/>\nLa millor her\u00e8ncia s\u00f3n els fills, do de Jahv\u00e8,<br \/>\nels descendents s\u00f3n la millor recompensa;<br \/>\nels fills que heu tingut quan \u00e9reu joves<br \/>\ns\u00f3n com les fletxes en mans d&#8217;un guerrer;<br \/>\nfeli\u00e7 l&#8217;home que se n&#8217;omple el buirac:<br \/>\nsi discuteix amb alg\u00fa davant la gent,<br \/>\nno haur\u00e0 de retirar-se avergonyit.<\/p>\n<hr \/>\n<p>M\u00daSICA INSTRUMENTAL SENSE OPUS<\/p>\n<ul>\n<li>Concerti da Camera: 87 88 100 100pastorella OC03<br \/>\n103 OC02 86 91 93 94 95 97 106 OC04<br \/>\n53 92 99 105 107 108 \/ <strong>532 per mandolina<\/strong>, 548, La notte 439 \/ 151<\/li>\n<li>Concerti per molti istrumenti: 413 540 553 561 562 566 569 \/ 551 558<\/li>\n<li>Concerts per a flauta: 427 436 440 108 429 438 441 445 533<\/li>\n<li>Concerts per a flauta dol\u00e7a: 441 442 443 444 445<\/li>\n<li>Concerts per fagot: 473 483 485 492 497 503 OC06\/\/477 488 498 \/\/ 484<\/li>\n<li>Concerts per obo\u00e8: 446 447 452 453 454 455 456 461 463 464 545<\/li>\n<li>Concerts per Viola d&#8217;amore: 392 393 394 395 396 397<\/li>\n<li>Concerts per a Viola de gamba: 544 546 565 578 579 580 555<\/li>\n<li>Concerts per violoncel: 398 399 404 406 410 412 419 \/ 401 408 413 422 531 \/ 402 403 407 409 418 423 424 \/ 405 411 414 416 417 420 421<\/li>\n<li>Sonates per obo\u00e8: 53 81 779 (+ pastor Fido)<\/li>\n<li>Sonates per cello: 43 45 49 42 47 \/ 6 sontes \/ sonates de 1740<\/li>\n<li>\u00daltims concerts per viol\u00ed: 235 251 <strong>258<\/strong> 296 386 389<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>4\/3\/1678 Ven\u00e8cia 28\/7\/1741 Viena. [ wikipedia, diccionari Grove ] 1678 Ven\u00e8cia, virtu\u00f3s del viol\u00ed, probablement patia d&#8217;asma 1703-1715 Ospedale 1703 \u00e9s ordenat capell\u00e0, amb 25 anys. Li diran il Prete Rosso, pel color dels cabells. Contractat com a mestro di violino a l&#8217;Ospedale della Piet\u00e0 (ara \u00e9s un hotel de 5 estrelles, el Metropole, al &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/meumon.synology.me\/museu\/vivaldi\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Vivaldi 1678 &#8211; 1741&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[135,136,48],"anotacio":[],"civilitzacio":[],"spec":[],"aspecies":[],"Tema poesia":[],"_links":{"self":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/609"}],"collection":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/comments?post=609"}],"version-history":[{"count":0,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/posts\/609\/revisions"}],"wp:attachment":[{"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/media?parent=609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/categories?post=609"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/tags?post=609"},{"taxonomy":"anotacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/anotacio?post=609"},{"taxonomy":"civilitzacio","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/civilitzacio?post=609"},{"taxonomy":"spec","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/spec?post=609"},{"taxonomy":"aspecies","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/aspecies?post=609"},{"taxonomy":"Tema poesia","embeddable":true,"href":"http:\/\/meumon.synology.me\/museu\/wp-json\/wp\/v2\/Tema poesia?post=609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}