MOZART, Wolfang Amadeus 1756 – 1791

27/01/1756, Salzburg, Austria – 5/12/1791, Vienna, Austria (35 anys) | Llista d’obres

1763 – 1772 Viatges amb el pare | 1773 – 1777 Cort de Salzburg | 1778 – 1779 Tour per Europa | 1779 – 1787 Viena | 1788 – 1791 Darrers anys

(0) Infantesa 1756 – 1762

Neix a Salzburg, un arxiprestat del Sacre imperi romà. El pare, Leopold, és compositor i mestre de música. Nen prodigi, toca el clavecí i el violí i esbossa les primeres composicions als 5 anys.

(1) Viatges 1763 – 1773

El pare s’endu de gira els dos germans, Nannerl i Wolfang, per lluir-los com a nens prodigi en concerts que havien de finançar els nobles del lloc. Comencen a Munich amb el príncep elector Maximilian III of Bavaria, les corts imperials de Viena i Praga, Mannheim, Paris, Londres ( coneix Johann Christian Bach), Dover, la Haia, Amsterdam, Utrecht, Mechelen, Paris, Zurich, Donaueschingen i Munich. S’estaran a Viena el 1767 i 1768 abans de començar un tour per Itàlia de 1769 a 1771.

Primeres simfonies amb 8 any, arranjaments de concerts per piano i orquestra, potser a mitges amb el seu pare.

SIMFONIES

Symphony No. 1 in E♭ major, K. 16 (1764) Londres
Symphony No. 2 in B♭ major, K. 17 (spurious, attributed to Leopold Mozart)
Symphony No. 3 in E♭ major, K. 18 (spurious, written by Carl Friedrich Abel)
Symphony No. 4 in D major, K. 19 (1765) Londres
Symphony No. 5 in B♭ major, K. 22 (1765) La Haia
Symphony No. 6 in F major, K. 43 (1767) Viena
Symphony No. 7 in D major, K. 45 (1768)
Symphony No. 8 in D major, K. 48 (1768)
Symphony No. 9 in C major, K. 73/75a (1769-70?) Milà
Symphony No. 10 in G major, K. 74 (1770) Milà
Symphony No. 11 in D major, K. 84/73q (uncertain) (1770)
Symphony No. 12 in G major, K. 110/75b (1771) Salzburg
Symphony No. 13 in F major, K. 112 (1771) Milà

Altres simfonies, dubtoses o no catalogades

Symphony in F major, K. 75 (GA 42: doubtful)
Symphony in F major, K. 76/42a (GA 43: doubtful)
Symphony in D major, K. 81/73l (GA 44: doubtful)
Symphony in D major, K. 95/73n (GA 45: doubtful)
Symphony in C major, K. 96/111b (GA 46: doubtful)
Symphony in D major, K. 97/73m (GA 47: doubtful)
Symphony in F major, K. 98/Anh.C 11.04 (GA 48/56: doubtful)
Symphony in B♭ major, K. Anh. 214/45b (GA 55: doubtful)
Symphony in B♭ major, K. Anh. 216/74g/Anh.C 11.03 (GA 54: doubtful)
Symphony in G major, “Old Lambach”, K. Anh. 221/45a (1766)
Symphony in F major, K. Anh. 223/19a (1765)
Symphony in A minor, “Odense”, K. Anh. 220/16a (doubtful)

Salzburg

Symphony No. 14 in A major, K. 114 (1771)
Symphony No. 15 in G major, K. 124 (1772) 16 anys
Symphony No. 16 in C major, K. 128 (1772)
Symphony No. 17 in G major, K. 129 (1772)
Symphony No. 18 in F major, K. 130 (1772)
Symphony No. 19 in E♭ major, K. 132 (1772)
Symphony No. 20 in D major, K. 133 (1772)
Symphony No. 21 in A major, K. 134 (1772)

ALTRES

Divertimento K 131 en D [ que tant m’agrada!]

CONCERTS per a PIANO i ORQUESTRA

1767: 4 concerts per a piano i orquestra. Els estudis han determinat que es tracta d’orquestracions d’obres d’altres autors [ jo els he escoltat amb devoció]

Piano Concerto No. 1 in F major, K. 37 (1767)
Piano Concerto No. 2 in B♭ major, K. 39 (1767)
Piano Concerto No. 3 in D major, K. 40 (1767)
Piano Concerto No. 4 in G major, K. 41 (1767)

A Bologna coneix Giovanni Battista Martini. Roma, a la capella Sixtina, escolta el Miserere de Gregorio Allegri, del qual el vaticà tenia prohibit divlgar la partitura i la transcriurà de memòria. A Milà, amb 14 anys escriu l’òpera Mitridate, re di Ponto . Leopold intenta que l’arxiduc Ferdinand el contracti però l’emperadriu no vol Maria Teresa no vol mantenir gent no productiva.

SONATES PER VIOLÍ

Violin Sonatas, KV 6–9 (1762-64)
- Violin Sonata No. 1 in C for Keyboard and Violin, K. 6 (1762-1764)
- Violin Sonata No. 2 in D for Keyboard and Violin, K. 7 (1763-1764)
- Violin Sonata No. 3 in B♭ for Keyboard and Violin, K. 8 (1763-1764)
- Violin Sonata No. 4 in G for Keyboard and Violin, K. 9 (1764)
Violin Sonatas, KV 10–15 (1764)
- Violin Sonata No. 5 in B♭ for Keyboard with Violin (or Flute) and Cello, K. 10 (1764)
- Violin Sonata No. 6 in G for Keyboard with Violin (or Flute) and Cello, K. 11 (1764)
- Violin Sonata No. 7 in A for Keyboard with Violin (or Flute) and Cello, K. 12 (1764)
- Violin Sonata No. 8 in F for Keyboard with Violin (or Flute) and Cello, K. 13 (1764)
- Violin Sonata No. 9 in C for Keyboard with Violin (or Flute) and Cello, K. 14 (1764)
- Violin Sonata No. 10 in B♭ for Keyboard with Violin (or Flute) and Cello, K. 15 (1764)
Violin Sonatas, KV 26–31 (1766)
- Violin Sonata No. 11 in E♭ for Keyboard and Violin, K. 26 (1766)
- Violin Sonata No. 12 in G for Keyboard and Violin, K. 27 (1766)
- Violin Sonata No. 13 in C for Keyboard and Violin, K. 28 (1766)
- Violin Sonata No. 14 in D for Keyboard and Violin, K. 29 (1766)
- Violin Sonata No. 15 in F for Keyboard and Violin, K. 30 (1766)
- Violin Sonata No. 16 in B♭ for Keyboard and Violin, K. 31 (1766)

MÚSICA RELIGIOSA

1769: Missa Dominicus k.66
1773: Motet Exsultate, jubilate, K. 165

QUARTETS DE CORDA

String Quartet No. 1 in G major, “Lodi”, K. 80/73f (1770)

Milanese Quartets, K. 155–160 (1772–1773) this cycle, in three movements, is interesting as far as these works can be considered precursors of the later—more complete—string quartets.
- String Quartet No. 2 in D major, K. 155/134a (1772)
- String Quartet No. 3 in G major, K. 156/134b (1772)
- String Quartet No. 4 in C major, K. 157 (1772–73)
- String Quartet No. 5 in F major, K. 158 (1772–73)
- String Quartet No. 6 in B♭ major, K. 159 (1773)
- String Quartet No. 7 in E♭ major, K. 160/159a (1773)
Viennese Quartets, K. 168–173 (1773) Much more stylistically developed. In Vienna Mozart is believed to have heard the op. 17 and op. 20 quartets of Joseph Haydn, and had received from them a deep impression.
- String Quartet No. 8 in F major, K. 168 (1773)
- String Quartet No. 9 in A major, K. 169 (1773)
- String Quartet No. 10 in C major, K. 170 (1773)
- String Quartet No. 11 in E♭ major, K. 171 (1773)
- String Quartet No. 12 in B♭ major, K. 172 (1773)
- String Quartet No. 13 in D minor, K. 173 (1773)

String Quintet No. 1 in B♭ major, K. 174 (1773)

MISSES

Missa brevis in G major, K. 49 (1768)(no)
Missa brevis in D minor, K. 65 (1769)(no)
Missa solemnis in C major, Dominicusmesse, K. 66 (1769)
Missa solemnis in C minor, Waisenhausmesse, K. 139 (1768)
Missa brevis in G major, Pastoralmesse, K. 140 (1773; attribution uncertain)(no)

ÒPERES

Apollo et Hyacinthus, K. 38 (1767)
Bastien und Bastienne, K. 50/46b (1768)
La finta semplice, K. 51 (1768)
Mitridate, re di Ponto, K. 87/74a (1770)
Ascanio in Alba, K. 111 (1771)
Il sogno di Scipione, K. 126 (1772)
Lucio Silla, K. 135 (1772)

(2) MÚSIC A LA CORT DE SALZBURG 1773 – 1777

Amb 17 anys ocupa el càrrec de músic de la Cort a Salzburg, governada per l’arquebisbe Colloredo . Aquest volia “modernitzar” la Cort amb música italiana. S’hi estarà fins el 1777, 21 anys.

SIMFONIES

Symphony No. 22 in C major, K. 162 (1773)
Symphony No. 23 in D major, K. 181/162b (1773)
Symphony No. 24 in B♭ major, K. 182/173dA (1773)
Symphony No. 25 in G minor, K. 183/173dB (1773)
Symphony No. 26 in E♭ major, K. 184/161a (1773)
Symphony No. 27 in G major, K. 199/161b (1773)
Symphony No. 28 in C major, K. 200/189k (1774)
Symphony No. 29 in A major, K. 201/186a (1774)
Symphony No. 30 in D major, K. 202/186b (1774)

Altres simfonies, dubtoses o no catalogades

Symphony in D major, K. 111+(120/111a) (GA 48) (1771)
Symphony in D major, K. (126+(161/163))/141a (GA 50) (1772)
Symphony in D major, K. 196+(121/207a) (GA 51) (1774-75)
Symphony in C major, K. 208+(102/213c) (GA 52) (1775)
Symphony in D major, K. 135+61h (1772?)
Symphony in D major, K. 204 (based on the Serenade No. 5) (1775)
Symphony in D major, K. 250 (based on the “Haffner” serenade) (1776)
Symphony in D major, K. 320 (based on the “Posthorn” serenade) (1779)

CONCERTS PER VIOLÍ

1 Violin Concerto No. 1 in B-flat major, K. 207, 1773
2 Violin Concerto No. 2 in D major, K. 211, 1775
3 Violin Concerto No. 3 in G major, “Strassburg”, K. 216, 1775
4 Violin Concerto No. 4 in D major, K. 218, 1775
5 Violin Concerto No. 5 in A major, “Turkish”, K. 219, 1775
(i dos més d’atribució dubtosa) [ — ]

ALTRES

Serenade No. 6 in D major, “Serenata Notturna”, K. 239 (1776)

CONCERTS PER PIANO i ORQUESTRA

Piano Concerto No. 5 in D major, K. 175 (1773)
Piano Concerto No. 6 in B♭ major, K. 238 (1776)
Piano Concerto No. 7 in F major for Three Pianos, “Lodron”, K. 242 (1776)
Piano Concerto No. 8 in C major, “Lützow”, K. 246 (1776)
Piano Concerto No. 9 in E♭ major, “Jenamy”, K. 271 (1777)

Concerts per a vents

Bassoon Concerto in B♭ major, K. 191 (1774)

MISSES

Missa brevis in G major, Pastoralmesse, K. 140 (1773; attribution uncertain)
Missa in honorem Sanctissimae Trinitatis, K. 167 (1773)
Missa brevis in F major, K. 192 (1774)
Missa brevis in D major, K. 194 (1774)
Sparrow Mass in C major, Spatzenmesse, K. 220 (1775–6)
Credo Mass in C major, Credo Mass, K. 257 (1776)
Missa brevis in C major, Piccolomesse, K. 258 (1775)
Missa brevis in C major, Organ Solo, K. 259 (1775–6)
Missa longa in C major, K. 262 (1776)
Missa brevis in B♭ major, K. 275 (1777)

SONATES DE PIANO

Piano Sonata No. 1 in C major, K 279/189d (Munich, Autumn 1774)
Piano Sonata No. 2 in F major, K 280/189e (Munich, Autumn 1774)
Piano Sonata No. 3 in B♭ major, K 281/189f (Munich, Autumn 1774)
Piano Sonata No. 4 in E♭ major, K 282/189g (Munich, Autumn 1774)
Piano Sonata No. 5 in G major, K 283/189h (Munich, Autumn 1774)
Piano Sonata No. 6 in D major, K 284/205b (Munich, February–March 1775)

(3) 1777 – 1778 Tour per Europa, Manheim, Paris

Symphony No. 31 in D major, “Paris”, K. 297/300a (1778)

Sonates per violí

Violin Sonata No. 17 in C major, K. 296 (1778)
Violin Sonata No. 18 in G major, K. 301 (1778)
Violin Sonata No. 19 in E♭ major, K. 302 (1778)
Violin Sonata No. 20 in C major, K. 303 (1778)
Violin Sonata No. 21 in E minor, K. 304 (1778)
Violin Sonata No. 22 in A major, K. 305 (1778)
Violin Sonata No. 23 in D major, K. 306 (1778)
Violin Sonata No. 24 in F major, K. 376 (1781)
Violin Sonata No. 25 in F major, K. 377 (1781)

SONATES PER PIANO

Piano Sonata No. 7 in C major, K 309/284b (Mannheim, Nov. 8, 1777)
Piano Sonata No. 8 in A minor, K 310/300d (Paris, Summer 1778)
Piano Sonata No. 9 in D major, K 311/284c (Mannheim, Nov. 1777)

(4) VIENA 1779-1788

Symphony No. 32 in G major, “Overture in the Italian style”, K. 318 (1779)
Symphony No. 33 in B♭ major, K. 319 (1779) [ Aquesta l’havia escoltat sovint a casa, era un dels discs que tenien els pares]
Symphony No. 34 in C major, K. 338 (1780)
Symphony No. 35 in D major, “Haffner”, K. 385 (1782)
Symphony No. 36 in C major, “Linz”, K. 425 (1783)
Symphony No. 37 in G major, K. 444 (1783)For years this was categorized as a Mozart symphony, but later scholarship determined that it was actually composed by Michael Haydn (Symphony No. 25), and Mozart wrote only the slow introduction for it.
Symphony No. 38 in D major, “Prague”, K. 504 (1786)

Sinfonia Concertante for Violin, Viola and Orchestra in E♭ major, K. 364 (1779)

ALTRES

Serenata 10 k 361, gran partita per a vents (1783)
Ein musikalischer Spass in F M K. 522 (una broma amb dissonàncies al minuet)
Eine Kleine Nachtmusik, serenata nº13 K.525 [!!]

CONCERTS per a PIANO

Piano Concerto No. 10 in E♭ major for Two Pianos, K. 365/316a (1779)
Piano Concerto No. 11 in F major, K. 413/387a (1782-83)
Piano Concerto No. 12 in A major, K. 414/385p (1782)
Piano Concerto No. 13 in C major, K. 415/387b (1782-83)
Piano Concerto No. 14 in E♭ major, K. 449 (1784)
Piano Concerto No. 15 in B♭ major, K. 450 (1784)
Piano Concerto No. 16 in D major, K. 451 (1784)
Piano Concerto No. 17 in G major, K. 453 (1784)
Piano Concerto No. 18 in B♭ major, K. 456 (1784)
Piano Concerto No. 19 in F major, K. 459 (1784)
Piano Concerto No. 20 in D minor, K. 466 (1785)
Piano Concerto No. 21 in C major, K. 467 (1785)
Piano Concerto No. 22 in E♭ major, K. 482 (1785)
Piano Concerto No. 23 in A major, K. 488 (1786)
Piano Concerto No. 24 in C minor, K. 491 (1786)
Piano Concerto No. 25 in C major, K. 503 (1786)

Concerts per a vents

Concerto for Flute, Harp, and Orchestra in C major, K. 299 (1778)
Oboe Concerto in C major, K. 314 (1777–78) (has come down to us as the second flute concerto, but was almost certainly an oboe concerto)
Flute Concerto No. 1 in G major, K. 313 (1778)
Flute Concerto No. 2 in D major, K. 314 (1778) (an arrangement of the above Oboe Concerto)
Andante for flute and orchestra in C major, K. 315/285e (1778)
Clarinet Concerto in A major, K. 622 (1791)

Concerts per a trompa

Arguably the most widely played concertos for horn, the four Horn Concertos are a major part of most professional horn players’ repertoire. They were written for Mozart’s lifelong friend Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities on the valveless horns of Mozart’s day.

The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra. Many of the autographs contain jokes aimed at the dedicatee.

Horn Concerto No. 1 in D major, K. 412 (1791, unfinished at Mozart’s death)
Horn Concerto No. 2 in E♭ major, K. 417 (1783)
Horn Concerto No. 3 in E♭ major, K. 447 (c. 1784–7)
Horn Concerto No. 4 in E♭ major, K. 495 (1786)

QUARTETS

Haydn Quartets, K. 387, 421, 428, 458, 464, 465, Op. 10 (1782–1785) Mozart returned to the quartet in the early 1780s after he had moved to Vienna, met Haydn in person, and developed a friendship with the older composer. Haydn had just published his set of six quartets, Op. 33, which are thought to have been a stimulus to Mozart in returning to the genre. These quartets are often regarded as among the pinnacles of the genre.
- String Quartet No. 14 in G major, “Spring”, K. 387 (1782)
- String Quartet No. 15 in D minor, K. 421/417b (1783)
- String Quartet No. 16 in E♭ major, K. 428/421b (1783)
- String Quartet No. 17 in B♭ major, “Hunt”, K. 458 (1784)
- String Quartet No. 18 in A major, K. 464 (1785)
- String Quartet No. 19 in C major, “Dissonance”, K. 465 (1785)

String Quartet No. 20 in D major, “Hoffmeister”, K. 499 (1786) This work was published by (dedicated to?) Franz Anton Hoffmeister, as well as the Prussian Quartets.

QUINTETS

String Quintet No. 2 in C minor, K. 406 (516b) – This is a transcription for string quintet of the earlier Serenade for wind octet in C minor, K. 388. (1787)
String Quintet No. 3 in C major, K. 515 (1787)
String Quintet No. 4 in G minor, K. 516 (1787)

TRIOS PIANO

Piano Trio No. 1 in B-flat major (Divertimento), K. 254 (1776)
Piano Trio No. 2 in G major, K. 496 (1786)
Piano Trio No. 3 in B-flat major, K. 502 (1786)

SONATES VIOLÍ

Violin Sonata No. 26 in B♭ major, K. 378 (1779)
Violin Sonata No. 27 in G major, K. 379 (1781)
Violin Sonata No. 28 in E♭ major, K. 380 (1781)
Violin Sonata No. 29 in A major, K. 402 (1782; fragment, completed by Maximilian Stadler)
Violin Sonata No. 30 in C major, K. 403 (1782; fragment, completed by M. Stadler)
Violin Sonata No. 31 in C major, K. 404 (1782; fragment)
Violin Sonata No. 32 in B♭ major, K. 454 (1784)
Violin Sonata No. 33 in E♭ major, K. 481 (1785)
Violin Sonata No. 34 in B♭ major, K. 372 Allegro (1781; fragment, completed by M. Stadler)
Violin Sonata No. 35 in A major, K. 526 (1787)
Violin Sonata No. 36 in F major, K. 547 (1788)

MÚSICA PER A FESTES: Mozart left a huge production of dances for orchestra in different genres, including more than 100 minuets, two quadrilles, over 30 contra dances, over 50 allemandes (Teitsch, Ländler, or German Dances), a gavotte (French folk dance) and ballet and pantomime music. In his production of minuets, Mozart generally followed Haydn’s example, preferring the slow character of the dance. Allemandes written between 1787 and 1791 were mainly for public balls in Vienna.

MISSES i VESPRES

Coronation Mass, K. 317 (1779)
Missa solemnis, Missa aulica, K. 337 (1780)
Great Mass in C minor, K. 427 (1782–3; unfinished falta el Credo i l’Agnus Dei. mostra la influència de Bach i Händel que Mozart estava estudiant en aquesta època)
Vesperae solennes de Dominica in C major, K. 321 (1779)
Vesperae solennes de confessore in C major, K. 339 (1780)

ÒPERES

Thamos, König in Ägypten, K. 345/336a (1773, 1779)
La finta giardiniera, K. 196 (1775)
Il re pastore, K. 208 (1775)
Zaide, K. 344 (1779-80)
Idomeneo, K. 366 (1781)
Die Entführung aus dem Serail, K. 384 (1782)
L’oca del Cairo, K. 422 (1783)
Lo sposo deluso, K. 430 (1783)
Der Schauspieldirektor, K. 486 (1786)
Le nozze di Figaro, K. 492 (1786) libretto Lorenzo da Ponte
Don Giovanni, K. 527 (1787) libretto Lorenzo da Ponte

MÚSICA MASÒNICA

The Masonic Funeral Music (Maurerische Trauermusik), K. 477/479a (1785)

SONATES PIANO

Piano Sonata No. 10 in C major, K 330/300h (Vienna or Salzburg, 1783)
Piano Sonata No. 11 in A major, K 331/300i (“Turkish Rondo”) (Vienna or Salzburg, 1783)
Piano Sonata No. 12 in F major, K 332/300k (Vienna or Salzburg, 1783)
Piano Sonata No. 13 in B♭ major, K 333/315c (Linz, 1783)
Piano Sonata No. 14 in C minor, K 457 (Vienna, Oct. 14, 1784)

(5) Darrers anys 1788 – 1791

1788

Simfonies

Symphony No. 39 in E♭ major, K. 543 (1788)
Symphony No. 40 in G minor, K. 550 (1788)
Symphony No. 41 in C major, “Jupiter”, K. 551 (1788)

Concerts per a piano i orquestra

Piano Concerto No. 26 in D major, “Coronation”, K. 537 (1788)
Piano Concerto No. 27 in B♭ major, K. 595 (1791)

QUARTETS

Prussian Quartets, K. 575, 589, 590, Op. 18 (1789–1790) Mozart’s last three quartets, dedicated to the King of Prussia, Friedrich Wilhelm II, are noted for the cantabile character of the parts for cello (the instrument played by the king himself), the sweetness of sounds and the equilibrium among the different instruments.
- String Quartet No. 21 in D major, K. 575 (1789)
- String Quartet No. 22 in B♭ major, K. 589 (1790)
- String Quartet No. 23 in F major, K. 590 (1790)

QUINTETS

Quintet Clarinet, (1789)
String Quintet No. 5 in D major, K. 593 (1790)
String Quintet No. 6 in E♭ major, K. 614 (1791)

TRIOS PIANO

Piano Trio No. 4 in E major, K. 542 (1788)
Piano Trio No. 5 in C major, K. 548 (1788)
Piano Trio No. 6 in G major, K. 564 (1788)

RÈQUIEM

Requiem Mass in D minor, K. 626 (1791; unfinished, completed by Franz Xaver Süssmayr after Mozart’s death)

ÒPERES

Così fan tutte, K. 588 (1790) libretto Lorenzo da Ponte
Die Zauberflöte, K. 620 (1791) singspiel d’Emmanuel Schikaneder
La clemenza di Tito, K. 621 (1791) Pietro Metastasio

SONATES PIANO

Piano Sonata No. 15 in F major, K 533/494 (Vienna, Jan. 3, 1788)
Piano Sonata No. 16 in C major, K 545 (so-called facile or semplice sonata; Vienna, Jun. 26, 1788)
Piano Sonata No. 17 in B♭ major, K 570 (Vienna, February, 1789)
Piano Sonata No. 18 in D major, K 576 (Vienna, July 1789)